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Dear YA: Where Oh Where Is The Love For Black Hair?

Saturday, 15 July 2017

Before you continue I'd like to clarify that I will be using Black and Indigenous interchangeably, because both terms are used to describe Aboriginal and Torres Strait Islander people.

So Dear YA,

Where oh where, is the love for Black hair? Two years ago, I poured my heart out on an article asking a similar question. It was titled "Where oh Where is the Love For Curly Hair?". I didn't even know if I had the willpower to publish it. To make it easier on my soul, I deleted majority of the article. I took out parts that hurt me as I typed them out and left parts that still stung but were things I had conquered as I'd grown up. It was hard remembering little me who's hair was constantly touched and pulled because it was thick and similar to my mother's kinky hair who inherited it from her own mother. I mean, to this day, this is a weekly occurrence, which I wish would stop. I wrote that article and published it, 2 weeks, 7 hot cocoa's and a whole iZombie season later, hoping it'd allow myself to start loving my hair. It was a way to push myself into beginning my journey of overcoming embarrassment and this self acceptance that my hair was ugly, that I was ugly. The article was my way of giving the bird to those who've hissed despicable words about my hair not knowing those words would linger on from my childhood and affect me now as a teenager. That those words, no matter how many times I'd wash my hair, would never stop clinging to my roots. I wanted those words to disappear, I didn't like how they welcomed themselves home to my body, slowly killing my self esteem. I didn't like how those words ate at my blackness, how they shaped the way that little me would want my hair to look. I hated the way they'd tell me I talked funny too, or how I had a big nose and big eyes. I wanted to change me so I could look like the other kids.

The header image for my first ever discussion post and the 'boneless' version of this article.

The original article, which sadly can't be found anymore ever since the remodelling of the website, received many replies, which I didn't expect. I mean, the article was basically just parts of what I really wanted to say. A "boneless" version of this article, as I would say on twitter. I didn't share the things that hurt the most because I didn't want my stories to scare people off, I wanted to fit in. I wanted these popular book bloggers to listen and also not get bored with my story. I mean, I didn't know any other Black or Indigenous person in the community at the time, so I didn't think anyone would understand. But apparently people could understand where I was coming from because I had replies from all over the world. It was unbelievable, I couldn't grasp at the thought that fellow teenagers could relate and were actually recommending me some books with curly haired main characters, after asking for them. But then the ground was swept from underneath my feet as I realised that each teenager was recommending books with white protagonists with curly hair, nothing close to what I was imagining whilst I was writing. I was thinking about my hair, black hair, and curly hair textures belonging to people of colour, especially to Black people. The responses I received were endless recommendations of white characters with curly and wavy hair and even then, they were very poor takes at 'curly hair' as the recommendations were mostly of characters with "loose curls". This wasn't even close to what I was thinking about whilst writing the article.

The responses to my article had a massive impact on me. Why was there an outpour of recommendations of books to read with only white characters with 'curly' hair? Why was it that white characters were thought of first and not black characters?

So now I'm here again, writing with no cares to give and making it very clear that this article is written for those who know what it's like to sit outside on the veranda whilst your mama sections your hair, braiding it as you complain. This article is for those who get told to sit at the back because their hair is 'too big'. It's for those who get told that they'd look prettier with straight hair. It's for those who have the constant stares and an endless amount of strangers hands in their hair. It's for those who were taught to hate themselves because their hair was never 'neat' or 'soft and silky' like the other kids. It's for those who's arms get tired whilst trying to brush their hair. It's for those who were taught that their blackness should never be something to be proud of and were taught to hide it. This is me making it very clear that this article is for you, us, because two years ago that focus was taken from us and now I'm here to make it crystal clear.

Black hair needs to be embraced in all forms of media and especially in YA Books. I'm tired of the white lens portraying black characters with straight loose hair. For the majority of black people, especially women who are greatly impacted by the westernised standard of how hair should look, this is not the case. Our relationship with our hair is complex and sometimes very tiring to explain. For most of my life and still to this very day, there is a sense of 'shame' attached to my hair. My hair was always hard to brush and maintain. I always went to school with it slicked back into a pony tail. For my high school graduation I even relaxed my hair so I could look like the other girls. But even then, 2 pots of the relaxing product didn't "perm" my hair properly (perm in this case when talking about the effects on kinky hair means to straighten). I've only recently begun embracing my hair but I must confess that there is still a sense of shame attached to it. My hair is still recovering from my perm but I can't wait for it to grow back and transform into my lovely mane again.

"A Reflection of an Island Girl" by Meleika Gesa-Fatafehi - Digital Media Art Piece 2017
The world desperately needs books with Black people, especially Black girls, loving their hair and having pride in it. We need to encourage Black girls that there is nothing to be afraid of, that your hair is magic and holds stories from your ancestors. We need to emphasise that Black hair is beautiful in YA because damn, no one else is doing it.

Now I want to discuss descriptors for our hair. First of all stay away from descriptors that you don't know how to use. Some of you have no idea what 'Kinky Hair' even means, or "kitchen" or "baby hairs". Please do your research if you're going to write about kinky hair so you can avoid misusing words. Also don't use animalistic descriptors or descriptors with negative connotations for Black hair. I say this because when non-Black/non-Indigenous people tell me my hair is "X" which holds a negative connotation, it feels like a personal attack, something I should be ashamed of. But when it comes from my people, it has a sense of empowerment and pride behind it. When non-Black/non-Indigenous people use, for example, "mane" as a descriptor in real life, it feels like another contribution to the process of our dehumanisation. See Black people have and still are being compared to animals. I refuse to have my features be described with animalistic descriptors by people who don't have my permission or who have no idea how much weight these words carry. This example may vary for others but for me, I don't like strangers using this descriptor, it feels dehumanising.

Another thing for non-Black and non-Indigenous writers, is that you should never allow characters to randomly touch your characters hair without their permission. See, Black/Indigenous women already have a history of being told that their bodies are not their own. That people are welcome to do whatever they want whenever they please to them. I cringe when people just reach out to touch my hair. I am not a pet for you to touch. Do not treat me as this magical "other" who can be dragged through the dirt. I am magical but I don't deserve to mistreated. Black women don't deserve to be mistreated. I am not some exotic being who will fulfil your wildest dreams. Get your head out the gutter and stop touching my hair. I've had multiple encounters with strangers reaching into my hair and touching it without my permission. Someone once put things in my hair to see if I noticed. How disgusting and disrespectful can you be to amuse yourself by making fun of a Black woman by testing if she can feel what you're doing to her hair? Do you see how invasive it is to place your hands in a strangers' hair? Do you see how disgusting it is to test if it's their real hair? Establish consent for touching one's hair in your book and even allow characters to say no, because they have every damn right to!

My black hair is not for you. You cannot touch it. You cannot cut some off so you can have it. You cannot come to me and mock my hair and expect me to be nice. I will not tolerate it. Black women with kinky hair constantly get remarks about their hair. We get the occasional "Did something surprise/scare you" in reference to our big hair. We also get 'rat's nest' and 'Have you ever lost anything in there?'. There's always the occasional, "How do you ever wash it?" and hisses at "That's if you ever wash it". When I was a kid, someone called me a murderer, because I looked like a character in The Simpsons who had big hair. The character was Side Show Bob; I was 6. I didn't know English that well and I had no Black mentors or friends at this time to explain or protect me. What I took from this experience is that I was bad. To me being bad was the most terrible thing on earth and was a synonym to very evil. I also thought I didn't deserve to have friends and that the only way I could have friends is to have hair like the other girls. I asked my mother to buy those skinny hairbands with the plastic balls at the end that all the other kids were wearing. She said no. Of course she would. To her they were silly hairbands that would definitely break if she tried to tie my hair with them. But to me, they were my tickets into friendships with the other kids... But then I met kids who were like me, Black and Polynesian, and it was them who I depended on in my early schooling years. They didn't know it, but they made me love my roots even more. So allow characters to support one another and stand up for each other when talking about black hair in your books. Let us have a support system when dealing with discrimination and racism against our hair, features and complexion.

There was another incident where a boy took a bite of my ponytail as I lined up to "see what bushy hair tasted like". I was 10; I was confused; I was disgusted. It felt like my body didn't belong to me. Not even my hair. It was as if I had to accept the fact that there was now saliva in my hair and I couldn't do anything. I couldn't even push him because there were girls behind him giggling. Imagine being black and always being the butt of a joke. To have your features talked about by kids and being compared to animals. Imagine being called a Gorilla because you "have the nose and hair for it". Now imagine all my Black siblings around the world who are darker than me. Imagine those who aren't fortunate to have fellow Black mentors, teachers, liaison officers or friends in school to tell them and reassure them that they are beautiful. That their hair is beautiful. That their features are beautiful. That their complexion is beautiful. YA books need to express and nurture this self-love for Black girls. We need to be reading books that have Black girls loving themselves, it's so damn important. We desperately want and need that representation in YA! Please provide it!

Also, Black people can also have straight hair, Blonde hair, and different coloured eyes, it's a thing! I have family members with dark skin and blonde hair and others who are brown, green eyed with straight hair. However, when non-Black and non-Indigenous writers depict all their Black characters with straight hair and "light eyes", it becomes this standard for other Black kids to meet. We already live in a colonised country where we're rapidly dying in, being forced to assimilate into a society that was never built for us. Then you let your Black readers know that your beauty standards for them is very Eurocentric. You make it impossible for dark skin teens with 4C hair to ever see themselves as beautiful in your books. Let these teens have the representation they deserve! Allow Black girls to rule the world, let them show you how our ancestors looked after the land and thus looked after us. Or let Black girls be assassins with Afros and killer looks being able to take you out like a fly. Or even better Black girls in space showing you how their magic works! Include us in YA and let us be ourselves and love it.

Our so called 'exotic' features will always be beautiful. I'm tired of living up to a standard that was never meant for me, that never included me and sure a hell doesn't love me. Black beauty is one I admire and adore. Black beauty is something I will always and forever cherish. I love my blackness and yours.

Authors, let your Black characters hair free. Let them be proud of their hair. Let them own their hair and celebrate it. Allow black readers to feel empowered by your characters love of their Black hair. I hope to one day read a book where the black character talks about their hair lovingly. I hope to one day never feel ashamed of my hair. Till then, include more Black women with kinky hair in your books and book covers! We need this representation now more than ever.

So Dear YA, please let Black girls love themselves. Let us love our complexions, our hair, our features, our tongues, our lands and for the love of Beyonce, let us own it.

Sincerely and With Kindness,

'Release' Me From This Book: A Review On Patrick Ness' New Book

Tuesday, 18 April 2017

Release Date: 4th May 2017
Publisher: Walker Books Australia
Page Count: 288
Format: Australian ARC Paperback
Genre: Contemporary/Fantasy
RRP: $24.99 (Australian Hardback)
Source: Walker Books
Inspired by Mrs Dalloway and Judy Blume's Forever, Release is one day in the life of Adam Thorn, 17. It's a big day. Things go wrong. It's intense, and all the while, weirdness approaches...

Adam Thorn is having what will turn out to be the most unsettling, difficult day of his life, with relationships fracturing, a harrowing incident at work, and a showdown between this gay teen and his preacher father that changes everything. It's a day of confrontation, running, sex, love, heartbreak, and maybe, just maybe, hope. He won't come out of it unchanged. And all the while, lurking at the edges of the story, something extraordinary and unsettling is on a collision course.

First of all, whilst reading 'Release', I had a mixture of emotions to unpack. After finishing the book with a, I suppose, quite 'pleasant' ending, I felt rather disengaged with the book. I just felt disinterested and for me that's a first, as Patrick Ness is one of my favourite authors who writes books for the soul.

From the beginning we're thrust into Adam Thorn's world which at first glance seems quite ordinary; but it then spirals into a world full of sadness, love, confusion, panic and all things that would turn someone's world upside down. All of these incidents that cause havoc occur in a whole day. I'm not going to lie but this sounded quite bizarre and even questioned if Ness was capable of fitting a whole day in 200 or so pages full of drama and mystery. Turns out he can definitely fit a whole day full of events that break your heart. The events in 'Release' just flow and snowball off each other, but yet are also unpredictable and no where near how'd you'd imagine they'd turn out. Same goes for the fantasy aspect of the book. A ghost posses the Queen of a different world that humans have yet to discover, and goes on a quest to 'release' herself. This fantasy aspect of the book picks up toward the middle of the novel as the very first snippets we get confuse me. The first snippets quite literally make it seem that you're delusional and what you're reading is in fact not apart of the book. As if they're missing pages to another novel and were hidden in this book. But everything starts to pick up near the middle of the novel, which is undoubtedly the best aspect of the book and the only reason to continue reading. It in this section where drug addiction and murder is discussed.

The cast of characters were very hard to love. I only had a soft spot for Linus, our nerdy character. Linus definitely deserved better and more time throughout the book. He's one, if not, the only character I truly enjoyed while the rest were dislikeable, terrible, tokenistic or never truly given enough thought on how to describe them. This extends to the black characters Renee and Karen who deserved more love and care.

For the majority of the book, it only felt like we scratched the surface of Adam's character. It was very rare to have him open up. I finished the book and I truly had no idea who 'Adam Thorn' really was; Was he shy? Was he one of those bright smart kids? Was he talkative? Who knows, because I sure don't. I wish there was more insight on all the characters. On who they were, what they really believed in and what their connection was with Adam. I understand that throughout this book we get some sort of insight of these characters but it was honestly not enough to truly understand the cast of characters.

There's a lot of homophobia in this book and a negative discourse with labels. 'Release' explore homophobia within a religious homophobic family who use their beliefs as a reason to emotionally abuse their son because of his sexuality. They don't outwardly say this but they suspect their son is 'different' and pray for him to get 'better'. I was never raised in a household like Adam's but I sure do appreciate Ness sharing his story. Continuing on, one character realises that the reason for their break up with their ex-partner was because their partner was "bisexual or fluid" like Angela. This was really confusing. Are they blaming someones sexuality on why their partner had chosen to break up with them? Even Angela's explanation about labels had negative discourse about those who choose to have labels. As if the label constricted them from freedom, from their true selves. However, labels are great for those who love them. They shouldn't be shamed for having them. People with labels are valid and exist and deserve to be happy. Angela, who is Adam's best friend, asks him if he's sure he isn't gay and is willing to try things out. Adam quickly explains that his label liberated him though and was his 'map' that guides. So I thank Ness for unpacking that negative discourse and making sure that those with or without labels are valid.

Homophobia also reeks from Adam's parents who continually admire his older brother and just 'put up with him'. It is truly saddening that his parents have been talking about his sexuality behind his back, for years and have basically tried to 'pray the gay away'. It doesn't work like that. Yet, this storyline is a reality for others and for that, I applaud Patrick for sharing an aspect of how he grew up. Adam, even after receiving blow after blow, was strong and stayed strong after all the tears. The way Patrick handled this situation and allowed Adam to be empowered towards the ends was something I really enjoyed.

'Release' also features a scene that contained sexual harassment. This scene was very disturbing and unsettling. What was even worse was the victim blaming. It was disgusting. The character didn't deserve this. They don't deserve parents who have to "fight to love him".

Wade is an awful character who has a brief scene in the book. He uses 'pussy' and 'f*gg*t' against Adam. It makes him feel small and it sure did make me feel small too. It was an effort to read through this book. As mentioned before, it's an important book, but the issues it deals with are very confronting, harmful and triggering. So please be careful when picking up this book.

Early in the pages, Ness uses queer to describe something odd. This is one of my personal pet peeves, because when reclaiming the word queer, I dislike it when it's used to describe something that is weird, strange or freaky.

Adam's older brother Marty was disgusting from the get go. I was appalled by his actions and by a particular suggestion he makes to Adam. I was shaking my head at the dialogue. It was uncomfortable and was awful overall. Lastly, there's a moment in the first pages when Adam recalls the time that Ange "swore [her parents] adopted her from Korea because it was cheaper then hiring a labourer for the livestock". This was literally my reaction:

Like how is this sentence okay? Adam states that this wasn't true... but why share it anyway? Ange was a character I loved and disliked. Overall, her character felt inauthentic and gave off tokenistic vibes. I wish I could walk away and say I enjoyed this book from the very first page, but that would be a lie.

Release is definitely a story that needs to be told, but it's a book that I don't need, especially in this political climate. 'Release' was a slab of mediocrity and then a pinch of the WOW factor. The fantasy sections of the book made it worth the read. It also a sign that Patrick Ness could devote himself in writing another fantasy novel and I'd love it. 'Release' is important but it wasn't worth the struggle of reading and enduring the sexual harassment, homophobia and emotional abuse. It is with that in mind that I have decided to rate 'Release' by Patrick Ness a total of two and a half stars. It was a good book, just not a book for me.

Will you be picking up 'Release'? Did you enjoy my break down? Don't enjoy sad queer stories? Do you have any recommendations on happy queer stories? Comment below to let me know!

If you liked this review please consider buying the author a ko-fi to support their content. Click here to do so and in advance, thank you!

Book Review: The Bone Witch by Rin Chupeco

Saturday, 18 March 2017

Release Date: 7th March 2017
Publisher: Sourcebooks Fire
Page Count: 400
Format: Ebook
Genre: Fantasy
RRP: $19.99
Source: Net Galley
The beast raged; it punctured the air with its spite. But the girl was fiercer.

Tea is different from the other witches in her family. Her gift for necromancy makes her a bone witch, who are feared and ostracized in the kingdom. For theirs is a powerful, elemental magic that can reach beyond the boundaries of the living—and of the human.

Great power comes at a price, forcing Tea to leave her homeland to train under the guidance of an older, wiser bone witch. There, Tea puts all of her energy into becoming an asha, learning to control her elemental magic and those beasts who will submit by no other force. And Tea must be strong—stronger than she even believes possible. Because war is brewing in the eight kingdoms, war that will threaten the sovereignty of her homeland…and threaten the very survival of those she loves.

I would like to say that although I did not find anything in Chupeco's book that struck me as disrespectful towards the cultures it was inspired by, I do not belong to either culture myself. Therefore if anyone who does belong to either culture finds something of note, please feel free to contact me :) I would be happy to know if there was anything I missed during my reading of this novel.

As promised with every review, here's my depiction of Tea from The Bone Witch. As I said I pictured her of a South-Eastern Asian background. She is wearing an Ahsa's Hua, as described in the book. It very much resembled the traditional kimono worn by Japanese Geisha. The stone around her neck is called a heart glass, they are described in the book as stones that hold the hearts of those who wear them. The background is inspired by traditional Iranian art and tapestries. A lot of which is featured in the book. 

(Ink art 'The Bone Witch' instagram @the_cat_curiosity_killed)

It has taken me far too long to finish my first review and all I can say is it's about time!

I am so very happy that my first official contribution to The Aus. Library will be a review of The Bone Witch by Rin Chupeco. I enjoyed this book for so many reasons but I'll get into that in just a moment. For now I'll just say that I will be keeping an eye out for the sequel of this YA fantasy.

First let's talk about the story... Amazing! I really loved how Chupeco constructed this. The story follows Tea as she trains to become an Asha and to control her powers of necromancy. The Asha are women with magic who train to master skills in fighting, magic, hospitality and politics. Think Geisha who are also trained in magic and combat. The memoir-esk fashion in which she told Tea's story was very refreshing from a lot of other YA fantasy. It is a difficult way to tell a story but when done successfully (as I believe Chupeco has done) it can be very powerful. It puts you right there in the past, experiencing it first hand, all the while having a knowledge of the future that layers the entire story in a delicious coat of drama.

When Tea is training to become an Asha, we are there with her. When she struggles with understanding her power and deals with the discrimination she experiences because of a talent she never asked for, so do we. That is what makes the memoir style of story-telling so gosh darn compelling and I, for one, love it.

It reminded me a lot of Memoirs of a Geisha by Arthur Golden (this was also because there are literal Geisha-like societies in the story itself). Chupeco's take on necromancy and familiars was also very interesting and unlike anything I had previously read.

I really enjoyed the basis in Iranian mythology. It is something you don't see in many places these days and proved to be one of the most interesting parts of the book.

The humble narrator of the present story-line is engaging, but not too much as to take away from the real protagonist of the story; Tea. I love a good anti-hero origin story and that is exactly what Chupeco gave me. Tea is a compassionate, if headstrong character, who is thrust into a world of dangerous magic, class discrimination and politics at a young age. She has very little time to adjust and does so with believable difficulty. I found her character very sympathetic, but also deeply flawed, which is exactly what I want from my anti-heroes.

There is romance in this book but it is secondary to the friendships and personal relationships Tea has with herself and those around her. The relationship I enjoyed the most was that of Tea and her older brother, Fox. The bond between them will ring true with anyone who has a sibling they are close to.  

There is some LGBTQ+ representation in this book, which obviously pleased me. Tea befriends a young boy who is implied to be gender-queer. He wishes to dance as an Asha (Asha are traditionally women) instead of fight in battle. There was also a lot of racial and cultural diversity. Tea, our protagonist, is described as having light brown skin and dark hair and eyes. It isn't specified what her racial background is exactly, but I feel like that is simply because of the fantasy genre. Some of the racial features of certain characters in a fantasy world may correspond with ones in our own, but they ultimately are their own fictional race. Personally, I visualized her from a South-Eastern Asian descent. The book is full of characters of all different colors. Mostly of Asian and Middle-Eastern inspired backgrounds.

I do have a few criticisms in spite of how much I enjoyed this book. Some of the details towards the end proved to be a bit confusing, the plot twist also felt rather lackluster. There was one moment when Fox is described to be wearing a top hat. This really threw me off and for a while and disturbed the flow of my reading. Up until that point there had been no mention of European style clothing. Only Asian and Middle-Eastern attire. Also at times, the story did seem to resemble Memoirs of a Geisha too strongly, which made me think of that book instead of the one I was reading. This didn't affect my overall reading experience, but it did pull me out of the story a few times.

Apart form those small criticisms however, I found The Bone Witch by Rin Chupeco wildly enjoyable.

(Just to add another disclaimer, Memoirs of a Geisha is not an accurate portrayal of Geisha culture. The likeness between it and The Bone Witch lies only in the structure of the narrative and the fact that both books are inspired, to different extents, by the same subject matter. I would not be recommending The Bone Witch if it were anywhere near as problematic as Golden's book.)

So Long Story Short, Should You Read It?? Well, if you like anti-heroes, Geisha inspired culture, strong female characters and magic- I highly recommend picking it up!

It's Lit in the Loop: February Edition

Thursday, 16 March 2017

Hey guys! This is a new segment where I'll be recapping some of the exciting news and buzz that's gone around the book community, including multimedia and book deals, with some commentary from Meleika.  
  • The Darkest Minds film adaptation lined up the members of its main cast from Miya Cech, who will play Suzume, and Skylan Brooks from The Get Down will play Chubs. I'm getting more and more excited about this show as we get these casting news :)

A post shared by Skylan Brooks (@skylan_b) on
Source: Jim Spellman / WIREIMAGE
Source: Bob D'Amico / Getty Images

  • Marie Lu has a new series in the works, historical fantasy and based on the childhood of Mozart and his sister
  • Claire Legrand's new Empirium trilogy, where "two young women centuries apart—one a troubled, magic-wielding queen; the other a bounty hunter serving a ruthless empire—must fight in a cosmic war that spans millennia, only to discover as their stories intersect that they have the power to save their world or doom it." Claire tweeted a bit about this trilogy and I have to say I'm seriously excited for this!
  • A Court of Miracles, "described as Les Miserables meets The Jungle Book," will be a debut YA trilogy by Kester "Kit" Grant
  • Philip Pullman's new trilogy, connected with his famed His Dark Materials trilogy, will finally be out this October
  • Marley Dias, the 12-year old girl who founded #1000BlackGirlBooks, has a book deal with Scholastic for an activism book out Spring 2018
Source: AJ+ / Youtube

  • *Black History Month was lit! The Guardian and Epic Reads released a list of black books to read and celebrate blackness! Epic Reads included Everything Everything on this list, which is very ableist so we don't recommend reading it. Also, be very careful with reading books from lists from Epic Reads because they tend to recommend very problematic books without warnings (i.e. Carve the Mark).
  • CCBC's 2016 diversity stats are available and "two broad categories--Asian/Pacifics and Latinos--saw a notable jump in numbers this year for both 'by' and 'about.' The numbers for African and African Americans and First/Native Nations remained disappointingly static or dropped." *Also, I'd like to add that Asian and Pacifics is a very broad term and is quite damaging as Pacific Islanders are not all Asian. I never knew about the term being used for Pacific Islander Asians. In Australia, it's only used to refer to people from Polynesia, Melanesia and Micronesia. To group non-Asians and Asians/ non-Pacifika and Pacifika people together doesn't actually account for who is actually getting representation in books. These categories need to be defined better. 
*commentary from Meleika

What did you enjoy in book news in the month of February? Is there anything we missed? Let us know down below and stay lit, in the loop!

Fresh and out of the oven: add these February releases to your TBR!

Thursday, 9 March 2017

Fresh and out of the oven! These books were released during the month of February. So, dearest booklovers, get your calendars and TBR lists out and bring a red pen with you because you need to write these new releases down.

A Conjuring of Light | YA, Fantasy

The precarious equilibrium among four Londons has reached its breaking point. Once brimming with the red vivacity of magic, darkness casts a shadow over the Maresh Empire, leaving a space for another London to rise.

Kell - once assumed to be the last surviving Antari - begins to waver under the pressure of competing loyalties. And in the wake of tragedy, can Arnes survive?

Lila Bard, once a commonplace - but never common - thief, has survived and flourished through a series of magical trials. But now she must learn to control the magic, before it bleeds her dry. Meanwhile, the disgraced Captain Alucard Emery of the Night Spire collects his crew, attempting a race against time to acquire the impossible.

And an ancient enemy returns to claim a crown while a fallen hero tries to save a world in decay.

The Edge of Everything | YA, Fantasy

For the perfect love, what would you be willing to lose?

It’s been a shattering year for seventeen-year-old Zoe, who’s still reeling from her father's shockingly sudden death in a caving accident and her neighbors’ mysterious disappearance from their own home. Then on a terrifying sub-zero, blizzardy night in Montana, she and her brother are brutally attacked in a cabin in the woods—only to be rescued by a mysterious bounty hunter they call X.

X is no ordinary bounty hunter. He is from a hell called the Lowlands, sent to claim the soul of Zoe’s evil attacker and others like him. X is forbidden from revealing himself to anyone other than his prey, but he casts aside the Lowlands’ rules for Zoe. As they learn more about their colliding worlds, they begin to question the past, their fate, and their future.

The Hate U Give | YA, Contemporary

Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend, Khalil, at the hands of a police officer. Khalil was unarmed.

Soon afterward, Khalil’s death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Starr’s best friend at school suggests he may have had it coming. When it becomes clear the police have little interest in investigating the incident, protesters take to the streets and Starr’s neighborhood becomes a war zone. What everyone wants to know is: What really went down that night? And the only person alive who can answer that is Starr.

But what Starr does—or does not—say could destroy her community. It could also endanger her life.

Swimming Lessons | Fic, Mystery, Contemporary

Ingrid Coleman writes letters to her husband, Gil, about the truth of their marriage, but instead of giving them to him, she hides them in the thousands of books he has collected over the years. When Ingrid has written her final letter she disappears from a Dorset beach, leaving behind her beautiful but dilapidated house by the sea, her husband, and her two daughters, Flora and Nan.

Twelve years later, Gil thinks he sees Ingrid from a bookshop window, but he’s getting older and this unlikely sighting is chalked up to senility. Flora, who has never believed her mother drowned, returns home to care for her father and to try to finally discover what happened to Ingrid. But what Flora doesn’t realize is that the answers to her questions are hidden in the books that surround her. Scandalous and whip-smart, Swimming Lessons holds the Coleman family up to the light, exposing the mysterious truths of a passionate and troubled marriage.

Wintersong | YA, Fantasy, Retelling

Beware the goblin men and the wares they sell.

All her life, nineteen-year-old Liesl has heard tales of the beautiful, mysterious Goblin King. He is the Lord of Mischief, the Ruler Underground, and the muse around which her music is composed. Yet, as Liesl helps shoulder the burden of running her family’s inn, her dreams of composition and childish fancies about the Goblin King must be set aside in favor of more practical concerns.

But when her sister Käthe is taken by the goblins, Liesl journeys to their realm to rescue her sister and return her to the world above. The Goblin King agrees to let Käthe go—for a price. The life of a maiden must be given to the land, in accordance with the old laws. A life for a life, he says. Without sacrifice, nothing good can grow. Without death, there can be no rebirth. In exchange for her sister’s freedom, Liesl offers her hand in marriage to the Goblin King. He accepts.

Down in the Underground, Liesl discovers that the Goblin King still inspires her—musically, physically, emotionally. Yet even as her talent blossoms, Liesl’s life is slowly fading away, the price she paid for becoming the Goblin King’s bride. As the two of them grow closer, they must learn just what it is they are each willing to sacrifice: her life, her music, or the end of the world.

We Are Okay | YA, Contemporary

You go through life thinking there’s so much you need…

Until you leave with only your phone, your wallet, and a picture of your mother.

Marin hasn’t spoken to anyone from her old life since the day she left everything behind. No one knows the truth about those final weeks. Not even her best friend, Mabel. But even thousands of miles away from the California coast, at college in New York, Marin still feels the pull of the life and tragedy she’s tried to outrun. Now, months later, alone in an emptied dorm for winter break, Marin waits. Mabel is coming to visit, and Marin will be forced to face everything that’s been left unsaid and finally confront the loneliness that has made a home in her heart.

The Refugees | Short stories, Fic, Asia

Viet Thanh Nguyen's The Sympathizer was one of the most widely and highly praised novels of 2015, the winner not only of the 2016 Pulitzer Prize for Fiction, but also the Center for Fiction Debut Novel Prize, the Edgar Award for Best First Novel, the ALA Carnegie Medal for Fiction, the Asian/Pacific American Award for Literature, and the California Book Award for First Fiction. Nguyen's next fiction book, The Refugees, is a collection of perfectly formed stories written over a period of twenty years, exploring questions of immigration, identity, love, and family.

With the coruscating gaze that informed The Sympathizer, in The Refugees Viet Thanh Nguyen gives voice to lives led between two worlds, the adopted homeland and the country of birth. From a young Vietnamese refugee who suffers profound culture shock when he comes to live with two gay men in San Francisco, to a woman whose husband is suffering from dementia and starts to confuse her for a former lover, to a girl living in Ho Chi Minh City whose older half-sister comes back from America having seemingly accomplished everything she never will, the stories are a captivating testament to the dreams and hardships of immigration. The second piece of fiction by a major new voice in American letters, The Refugees is a beautifully written and sharply observed book about the aspirations of those who leave one country for another, and the relationships and desires for self-fulfillment that define our lives.

American Street | YA, Contemporary

On the corner of American Street and Joy Road, Fabiola Toussaint thought she would finally find une belle vie—a good life.

But after they leave Port-au-Prince, Haiti, Fabiola’s mother is detained by U.S. immigration, leaving Fabiola to navigate her loud American cousins, Chantal, Donna, and Princess; the grittiness of Detroit’s west side; a new school; and a surprising romance, all on her own.

Just as she finds her footing in this strange new world, a dangerous proposition presents itself, and Fabiola soon realizes that freedom comes at a cost. Trapped at the crossroads of an impossible choice, will she pay the price for the American dream?

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